Morelli and His Music

THE JUNIOR LEAGUE OF LAS VEGAS PRESENTS . . .


Morelli & His Music
Join us for a night of music and discussion about Antonio
Morelli—the famed Sands Copa Room orchestra leader in
the '50's and 60’s who played with entertainers including
Frank Sinatra, Dean Martin, Sammy Davis Jr., Nat King
Cole and Jimmy Durante.

* April 2, 2009 at 7:00 PM * Las Vegas Academy Auditorium *
* at the Corner of 9th Street and Clark Street *
Pete Barbutti, emcee, will take the audience back to Showroom
Era Las Vegas as Claytee White of the UNLV Oral History
Research Center moderates a panel discussion of original
Morelli Orchestra members who will explore their impressions of
Morelli and their recollections of specific events at the Copa
Room.

 

In addition, guests will be treated to special musical selections from Morelli’s repertoire performed by the Las Vegas Academy High School Jazz Band under the direction of Patrick Bowen featuring solos by our veteran musicians.

Following the program, a reception and
tours will be held at the historic Morelli House located at 861 E. Bridger Avenue.
Open to the public, admission is free, but reservations are required to
jrleagueoflv@aol.com or 702-822-6536


The following co-sponsors are donating their talents and resources to produce or promote the program:
This program has been made possible in part by
Nevada Humanities
* UNLV Arnold Shaw Popular Music Research Center 

*UNLV Oral History Research Center

* UNLV TV *

Two Historical Discussion Panels this week!

We have two historical panel discussions this week that we hope you will join us for:

 

 

 

 

On Thursday, March 5th join us as we look back at Early Families of Las Vegas.

We will shine a spotlight on the families that helped build and nuture Las Vegas from 1905 through the Great Depression.

It will be a great night of history and memories so we hope you will join us and our panelists:

Paul Carson - local historian with a great deal of knowledge on the family of Helen J. Stewart.

June Eddins - her family had a business on Fremont Street

Bill Gildner -his family arrived in the throes of the Great Depression

Don Payne - local historian

Las Vegas Springs Preserve

Desert Learning Center

7:00 pm

$12 admission

We hope to see you there!

 

And on Friday, March 6th as part of the Clark County Centennial monthly celebration we have organized another great panel for Mark Hall-Patton to moderate:

 

The women of Clark County are the focus of the next panel discussion about local history set for Friday, March 6 at 6 p.m.

The 90-minute roundtable discussion, called “Centennial Stories: Examining Our Past,” is timed to coincide with Women’s History Month and includes an opportunity for those who attend the free event to ask questions of the panelists of pioneers and historians.

The event takes place in the County Government Center Commission Chambers, 500 S. Grand Central Parkway, and is aired live and later replayed on Clark County Television (CCTV) Channel 4 and viewers are able to call in with questions. All Channel 4 programming also may be viewed live on the county Web site at www.accessclarkcounty.com.

The roundtable will feature Sue Kim-Bonifazio of the famed Kim Sisters; Dr. Joanne Goodwin, associate professor of history at UNLV and director of the UNLV Women’s Research Institute; Thalia Dondero, a former university regent and former county commissioner; and Hannah Brown, a former Delta Airlines executive and longtime resident. Moderating is county Museum Administrator Mark Hall-Patton.

Panel discussions about Clark County’s history are set for every First Friday in 2009, except in July when the event will be held Wednesday, July 1, and kicked off last month with a discussion of the history of segregation in Las Vegas.

“One of the goals of the county’s year-long commemoration of our centennial is to engage the community and celebrate our common heritage,” said Commission Chairman Rory Reid. “These monthly roundtables are a great way to do that.” 2009 marks the 100th anniversary of the birth of Clark County, and the county is commemorating the event with a year of activities.

Roundtable discussions slated for later in the year are April 3, Clark County’s Mining History; May 1, “Architecture and Neon in Clark County”: June 5, “The History of the Strip: The Early Years”; July 1, a Wednesday, “The History of the Strip: Howard Hughes and Beyond”; August 7, “The Mob and Las Vegas”; Sept. 4, “Hispanics in Clark County”; Oct. 2, “Entertainers on the Las Vegas Strip”; Nov. 6, “Military History in Clark County”; and Dec. 4, “Marketing Las Vegas.”

 

 

Charleston Heights - Looking Back

My family moved into Charleston Heights in April of 1964.  Up till then, we had been living in a small rental house in North Town, just off the old Salt Lake Highway (Las Vegas Blvd. North).

But, with my mom pregnant with my little brother, she and dad decided that we needed a big home.  Sproul was a popular builder of homes back then, especially in the west end of town.  Our house sat at the end of Bristol Street and the surrounding streets were named Bourbon, Brandwine, Burgundy and Evergreen.  It was what was called a 988er meaning it had 988 square feet.  That included three bedrooms, one and three-quarter baths, a living room, kitchen, as well as the single car garage.

It cost $16, 450 and that was a lot of money in 1964.  The elementary school was brand new and located on Torrey Pines, Rose Warren.  It was so new that grass had yet to be planted on the school yard and the jungle gym equipment was amid rock and gravel (and would be that way for a few more years).


I transferred from Quannah S. McCall to Rose Warren just before the end of second grade.  The kids in the class all lived in the neighborhood and I can still drive those streets and point out where they lived.

Sproul Homes built almost all single story planned houses.  They did have one tri-level plan with the rumpus room/sewing room downstairs.  According to my mother, most homes were frame and asbestos siding with either a composition shingle roof or a tropical roof.

They ranged in price.  The smallest home had two bedrooms, one bath and a swamp cooler.  It sold for $14,900.  The other models came with air-conditioning.  The tri-level sold for $19,950 and had 1650 square feet along with the single car garage.

Many of the models were named after Indian tribes such as the Aprapho.  There was one territorial style model as well.

The neighborhood stretched from Charleston and Torrey Pines to just west of Alta across from Garside Jr. High and from just west of Torrey Pines down to Decatur.  Along Decatur, the boundary went all the way to Washington Blvd.

We were literally the last house on Bristol and after us it was desert all the way to Calico Basin, except for a small bar about half way between us and Red Rock Canyon. 

Today it is all housing.  There used to be a large expanse of desert on the other side of Alta between and Garside and that is all housing now.

We lived there until 1973 when we moved to a bit further to the Southwest to Spring Valley.

Charleston Rainbow subdivision was built in the late 1960s and the large earthen berm that had served as flood control was finally torn down.  About that same time, more houses were added to our street and the surrounding streets as well.

You can drive through the neighborhood and chart the changes in the designs.

Our neighborhood was quite diverse.  We had a large family as our next door neighbors for many years.  It was mainly a family of girls and they introduced me to the Beatles and we introduced them to Elvis.  When they moved a Mormon family took their place.

Across the street was the Delahuerta family and two doors down from them the Mendoza family.  In between was a couple who, like my parents, worked in the hotels.

It was while we were living in Charleston Heights that my dad gave up working on Fremont Street and went to work at the Titanium Factory in Henderson.  He bought a motorcycle for the commute.

As with generations past, you could hear us playing in the twilight during the summer months and as it got dark you would hear the mom's calling their kids to come in.

We rode our bikes all over the sub-division and all over the desert.  The ice-cream truck, with soft-serve ice cream, came through the neighborhood every evening.

Anderson Diary delivered fresh milk to our door a couple of times a week.  There was a bakery truck for awhile that delivered fresh bread from the Holsum Bakery on East Charleston.

It was a different time and place than the neighborhoods today but then, Las Vegas is no longer just a small city in the sun-belt either.  Though I've grown up and moved away, I can still drive around the neighborhood and hear us out there playing "Red Rover" and hide and seek in the twilight of the evening.

 

Charleston Heights - A Look Back

Las Vegas Art Museum closing at end of month

 

 

The Las Vegas Art Museum, like so many centers of culture, is having a rough go of it in these hard economic times.  How rough?  Rough enough to close the 59-year old museum at the end of the month.

So if you haven't been there or if you haven't gone in awhile, take the opportunity this week to go before it shutters its doors for good.

From our friend Kristen Petersen at the Las Vegas Sun:

 

The financially strapped Las Vegas Art Museum is closing its doors Feb. 28.

After three months of trying to keep the 59-year-old institution afloat in the dire economy, board members and staff said Friday they have run out of options.

The board had cut the museum’s budget to less than $1 million for the year and laid off workers.

“We’ve tried everything to keep this afloat. It’s just a challenging time,” said Patrick Duffy, president of the museum board. “The economic climate has eliminated several of our donations” and reduced others significantly.

Public funding accounts for just 3 percent of the museum budget, and in a valley of 2 million people, the museum’s membership was just over 1,000.

“It’s just a lesson in the fact that no serious museum will be possible without public support,” said former executive director Libby Lumpkin, who came aboard in 2005 and helped turn the institution into a respected contemporary art museum. She resigned Dec. 2 when the board announced the budget cuts. “Maybe I missed the readiness of Las Vegas to move in the direction of an urban metropolis.”

The staff and board will meet next week to discuss the future of the art in the museum’s collection. Officials also will talk with the National Museum of Art, which recently announced it was giving 50 works from the Vogel collection to the Las Vegas museum.

The Las Vegas organization formed in 1950 as an art league. In 1974 it became a fine art museum, and in 1997 it moved into the Sahara West Library at 9600 W. Sahara Ave.

Under Lumpkin, the museum presented such exhibits as “Southern California Minimalism,” which included works by Robert Irwin, John McCracken, and James Turrell; “Las Vegas Diaspora: The Emergence of Contemporary Art from the Neon Homeland,” featuring artists who had studied at UNLV with Dave Hickey; and architect Frank Gehry’s models, sketches and drawings for the Cleveland Clinic Lou Ruvo Center for Brain Health.

What will now be its final exhibit, “L.A. Now,” curated by art critic David Pagel, features work by Los Angeles contemporary artists.

“We had a lot of really great ideas. We wanted to be able to share them with the community,” said Alex Codlin, interim executive director. “We cut the budget significantly and thought we’d stay one step ahead of the economy. I’ve spoken with people at other institutions around the country. They’re in the same boat. They just maybe have more established donors or bigger endowments.

Duffy said the museum will keep its name so that it can re-emerge when the economy improves. “We’ll dig ourselves out of this. It’s not a possibility, it’s a probability,” he said. “The arts aren’t dead in Las Vegas. One entity that’s gone does not a cultural community make. We’ve got great gallerists, very passionate gallerists. We’ve got people here who are very passionate about art. It’s just not fair to the community to launch insignificant shows, especially after what we’ve had in the last couple of years.”

 

Las Vegas Art Museum to close at end of month