Liberace Items up for Auction

Liberace was one of the early entertainers to grace the Las Vegas Strip.  He loved the little oasis in the desert.  He quickly became the highest paid entertainer on the Strip and his name graced the marquee at the Riv for years.

As his fortunes and his popularity rose, Lee bought a home in Las Vegas, near what is today UNLV, off of Tropicana just west of Maryland Parkway.

A museum is dedicated to his life not far from the house and Tivoli Gardens, the restaurant he owned, is still doing business.

However, his home has come up for sale and the belongings and fixtures are being auctioned off.  If you're a fan of the Travel Channel, you've no doubt seen the various hour long shows that include highlights from the interior of the house.

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Last of the Las Vegas Memories

This series has been very popular so I thought we would end the series on an up note:

 

The pineapple fountain that once graced the front of the Tropicana

Snow day, December 2008

The El Rancho Vegas with its famous pool

Downtown 1955

A slogan that brought thousands for a visit

The original House of Lords rendering, Sahara Hotel

 

The El Morocco (formerly the Bank of Las Vegas) and Jack Dennison's Copper Cart

The Union Plaza: A Look Back to the Beginning, Part 2

This has been such a popular series (thank you to everyone who has emailed me about how much they love the pictures).

To all of you, here are some more:

 

 

 

 

The Union Plaza site with Von Tobel Lumber in the foreground.  Looking north,  you can see the Train Depot and tracks and Cashman Auto Dealership in the background.  That is Main Street with cars on it.

 

What used to be Union Park and all the trees are gone, the Train Depot still sits in the back of the property.  The Golden Gate and the Las Vegas Club sit in the foreground.

 

The Union Plaza begins to be built.

 

1969, the Train Depot has been torn down.  Three different depots have sat on this property, the first one built in 1905.  But, in 1969, that was all history.  Train service to Las Vegas continued until the late 1980s via Amtrack's Desert Wind.  The far south end of the Union Plaza handled trains, Greyhound buses and in the 1970s was the main hub for local buses as well.  I spent many a Saturday afternoon/evening waiting for the bus that would take to me to the Huntridge Theater or the Charleston Plaza Mall's Fox Theater to see a double bill.  After a day at the movies, I had to wait at the Plaza for the bus to take me back to Charleston Heights.

"Diamonds Are Forever" starring Sean Connery as Bond, James Bond was shot on location while the Union Plaza was under construction.  You can't see much since most of the action on Fremont Street takes place at night, but the film is a wonderful time capsule of 1970's Las Vegas with a number of locales and signs that are no longer there.

 

Barbara Greenspun has died

 

 

 

Barbara Greenspun with her beloved, Hank

(Photo courtesy of the Las Vegas Sun)

She was instrumental figure in the post-war history of Las Vegas.  The wife of the Las Vegas publisher, Hank Greenspun, Barbara Greenspun held her own and helped shape the Las Vegas of today.  She was born in London and grew up in Ireland.  She met Hank at a wedding in 1944 and married him shortly after that.  They came to Las Vegas in 1946.

They started the Las Vegas Sun, built Green Valley, the first master-planned community in Southern Nevada, and when Hank died, Barbara took over as publisher of the paper.

She was known as an elegant lady, opinionated and, most of all, dedicated to causes that were dear to her heart.

She will truly be missed.

From our pal, Johnny Katz, at the Las Vegas Sun:

Even if you didn’t know who she was, exactly, you knew she was someone. There was an air about Barbara Greenspun that made it clear she was a person of high caliber.

You could feel it. She was prim and dignified, even regal. If there could be true royalty in Las Vegas, she was that, elegant and smart and stylish. She seemed from another time and place, when people of her stature would not be seen in public at less than their very best.

I was made aware of this quality when I first started at the Sun in 1998, in what some of us call the “old building” on Valley View Boulevard (though it was not the oldest building in Sun history, by a long shot). One morning I happened upon Barbara Greenspun at the staff coffee machine, of all places.

I introduced myself, telling her I was new to the company, glad to be part of the team, that sort of thing.

She nodded, and noted that she understood I’d come over from the R-J. This is true, I said.

“We won’t hold it against you,” she said, with a hint of a grin.

I remember laughing at that, too loudly to be genuine. It was a forced guffaw from a new employee to a joke made by the founding family’s matriarch. And then I thought that every time Barbara Greenspun would see me in the office, she’d remember two things about me: That I’d worked for the competition, and that I could be counted on to laugh too loudly at her witticisms. I thought, half-joking, that the company handbook should include a protocol entry of how to act when you meet Barbara Greenspun.

A couple of years later, I was promoted to the editor of the Accent section, a huge honor, and headed up the Sun’s A&E and lifestyle coverage. In that role I worked with two of my favorite people for several years: Former Sun food editor Muriel Stevens, and the late Ruthe Deskin, who wrote a weekly column called Back and Forth for Accent almost until the day she died.