Las Vegas Mob Museum Construction Put on Hold

Mayor Oscar Goodman's beloved "Mob" Museum has hit a snag. 

According to the RJ:

A judge issued a temporary restraining order Wednesday blocking the planned Mob Museum project from going forward and set a Friday hearing to consider a lawsuit saying the city of Las Vegas awarded the bid to an unqualified contractor.

The hearing is set for 9 a.m. Friday in District Court.

On July 1, the Las Vegas City Council awarded an $11.5 million contract to APCO Construction to remodel the historic federal courthouse downtown, which is to house what's officially known as the Las Vegas Museum of Organized Crime and Law Enforcement.

It did so over the protests of second-place bidder Flagship Construction Co., which said APCO wasn't qualified and that the city had improperly thrown out an earlier set of bids that Flagship had won.

Attorneys for Flagship filed the lawsuit Tuesday and asked for a speedy hearing.

"The opportunity for the court to intervene is short," wrote attorney Leslie Godfrey in an affidavit. Without an injunction preventing the city from going forward with the project, he said, "Flagship and the public will suffer irreparable injury ... specifically, the city will execute a contract with APCO to complete the project."

In an e-mail, city spokesman David Riggleman said the city will defend its decision at the hearing.

"The city will be fully prepared at that time to argue that APCO Construction is the correct lowest responsive and responsible bidder," he wrote.

The contract called for removing hazardous materials, a seismic retrofit, interior remodeling and historic restoration. The museum had been slated to open next year.

Las Vegans say good-bye to Michael Jackson

From the Review-Journal:

According to Norm!, Michael Jackson lived at the Palms Hotel from last Thanksgiving through February while he worked with Akon and will.i.am (of the Black Eyed Peas) on a new album.  It would have been Jackson's first album since 2001.

They had been working on the album for over two years, much of it recorded at the recording studio in the Palms Hotel.

Elsewhere aroung town, fans gathered to pay their last respects to the "King of Pop".

The theater was dark and the mood wasn't any brighter.

Clutching handkerchiefs and tubs of popcorn, dozens of wet-eyed Michael Jackson die-hards gathered in auditorium 7 at Rave Motion Pictures on Tuesday to watch the memorial services for the pop icon on the big screen.

They clapped along to the beat as Jennifer Hudson thundered through Jackson's stirring "Will You Be There," they chanted their hero's name in unison -- "Michael! Michael! Michael!" -- they laughed when Brooke Shields recalled an incident where she and Jackson once snuck into Liz Taylor's bedroom to get a peek of her wedding dress the day before the ceremonies.

Some snapped pictures, the flash of their cameras briefly illuminating the shadowy room, others clutched loved ones in their arms.

But mostly, they cried.

"It was very emotional," said Mary Rios, a newfound Jackson fan who spoke in soft tones. "You couldn't help but cry."

The sentiment ran high throughout the ceremony, with the mood ranging from celebratory outbursts to such complete and total silence you could hear yourself breathe.

For those who grew up with Jackson's music, it was an especially powerful moment.

"I wrote letters to him," said Angelo Mayfield, a lifelong Jackson fan with forearms smothered in tattoos. "I just kind of had to come and say goodbye. It's unbelievable to think that he's gone."

Jackson devotees flocked to the theater to be around fellow fans and mourners, turning the auditorium into something of a group therapy session.

"I'd rather be around the fans paying homage to Michael than being at home paying homage to Michael by myself," said Craig Forbus, 49, who saw Jackson perform with the Jackson 5 in the early '70s.

"It brought everybody together," added Michelle Berkowitz, a mom with two children in tow.

"It was beautiful," said her 13-year-old son, Adam.

On the Strip, Mary Ouellette snapped a picture of Jackson's image on the Planet Hollywood big screen, then wiped a tear away.

"I hope everyone remembers him for the nice person he was, not the negativity," said Ouellette, who's from Albany, N.Y. "You can't grow up famous and be completely normal. It's impossible -- I'd love for people to step into his shoes."

Ouellette said she became a fan of Jackson when he broke onto the scene as a member of the Jackson 5.

They were born in the same year, she said, and it became fun for her to watch his progress.

"He was just a great entertainer. Always," she said.

Her opinions were echoed by 15-year-old Allison Cox, a Palo Verde High School sophomore who was born after almost all the King of Pop's biggest hits were released.

The Las Vegas teen attended the memorial service for Jackson in Los Angeles and watched a live feed from the Nokia Theatre, near the Staples Center.

"Before the event, I wasn't a huge fan of Michael Jackson. I liked some songs, but being with the big fans showed how great he was," Cox said. "It was moving how they showed he was such a great guy and how he tried to change everyone's lives."

Makeshift memorials were also set up at Madame Tussauds at The Venetian, where Jackson's wax likeness was displayed in the entrance, and a vacant house on Palomino Lane near Rancho Drive, once occupied by the pop superstar.

Stuffed animals, cards, notes and flowers were piled on the fence of the house.

"I remember the girls would just line up out here, trying to see Michael," said neighbor Dell Bartolome, after taking a picture next to the memorial.

Susan Mucha, also a neighbor, said "even old people" loved Jackson.

"Show me someone who didn't try the moon walk, at least once," she said with a laugh.

 

Nevada State Museum, Las Vegas Changes take affect today

As we reported here a few weeks ago, due to the budget cuts by the State Legislature, the Governor and the Department of Cultural Affairs in Carson City, beginning today, all state sponsored museums will have curtailed hours of operation.

The staffs of these museums were the only state employees to be hit with a 20% pay cut.  They were not furloughed from their jobs as other state employees were.  They are now part-time workers, working only 32 hours a week. 

There is no sunset clause on this legislation so these changes could stay in affect for the next two years until the Legislature meets again.

What does this mean for those of us who think that museums are a vital cultural link to our communities?

Well, the Nevada State Museum, Las Vegas used to be open seven days a week, excluding Thanksgiving Day and Christmas day from 9:00 am - 5:00 am.  The staff there worked forty hours a week, five days a week and were there Monday through Friday to help patrons with research and to answer questions.

At least four times a year, there were educational programs that took place in the evenings.

That all ended with the cutbacks.

Beginning today, the Nevada State Museum, Las Vegas will only be open Wednesdays-Saturdays, from 9:00 am - 5:00 pm.  There will be no evening educational or cultural programming.

These changes affect schools and their bus tours for children, our ability to do educational and cultural programming with the Museum and anyone who is doing research on the history of Nevada, Southern Nevada, Clark County and/or Las Vegas.

It is our understanding that the board members of the Department of Cultural Affairs in Carson City did not take any pay cuts or have their hours curtailed.  They passed that misery on to the staffs of the state sponsored museums and those of us who patronize museums in Nevada.

Thanks guys.

Arson Experts Have Questions about the Moulin Rouge fire

It certainly sounded like one of those "fires of suspicious nature" that plague empty, historic buildings in Las Vegas.  So we are not surprised that Arson investigators have some questions about the fire that finally destroyed the historic Moulin Rouge Hotel two months ago.

From the Las Vegas Sun:

For city residents, the four-alarm fire at the Moulin Rouge in May was a civic misfortune, the second major blaze to devastate the site since the iconic downtown hotel opened in 1955.

For Las Vegas arson investigators, who have confirmed that the fire was set by human hands though not necessarily intentionally, the blaze presents a host of facts to explore.

No allegations of arson have been made by city investigators — and may never be. In their only public statement since the May 6 fire, investigators last month confirmed “there was human involvement regarding the heat source” — though they do not yet know whether it was intentional or accidental.

“Neither arson or cooking by vagrants could be eliminated, so the investigation is ongoing,” according to a city spokeswoman.

The Moulin Rouge’s new owners assumed control of the property one day before the fire, after the former owners went bankrupt and the property was foreclosed upon. The Moulin Rouge sign — the only remaining valuable vestige of the historic casino — was carted off to the Neon Boneyard one week before the blaze.

The Moulin Rouge, open for a period of months in 1955, was the first integrated casino in Las Vegas. It was the place where several community leaders, including former Las Vegas Sun Publisher Hank Greenspun, met in 1960 and agreed to end segregation on the Strip.

The property’s former owner, the Moulin Rouge Development Corp., had sold the City Council last August on its plans to develop a spacious casino and 41-story hotel on the Bonanza Road site. Before demolishing the site’s existing structure, the owners faced a large bill for removing asbestos from the property. The fire cut into that cost considerably.

Two arson experts outside of Nevada who were interviewed by the Las Vegas Sun after they familiarized themselves with news accounts and city news releases about the fire say the circumstances, taken together, raise questions investigators want to explore.

“These are all what we call major red flags,” said Nicholas Palumbo, a nationally certified fire investigator based in New Jersey. “You look at these things and you have to ask: Are they all just coincidences?”

City spokeswoman Diana Paul said no other questions about the fire, or the probe being led by Las Vegas Fire & Rescue arson investigators, will be answered until the investigation is complete. The statute of limitations for arson in Nevada is four years, she said.

More than 100 firefighters took over two hours to quell the blaze. Plumes of dark gray smoke could be seen for miles. No one was injured.

A local fire investigator from the U.S. Bureau of Alcohol, Tobacco and Firearms was on the scene, the ATF confirmed, though local fire officials decided not to call in the agency’s national response team to assist with the probe.

(ATF national response teams have been called to at least three Southern Nevada fires in recent years, including the 2003 fire at the Moulin Rouge.)

As firefighters were finishing their task, the structure was demolished. According to a city news release, the decision to demolish what remained of the building was made by the city manager and fire chief based on an ordinance that allows the city to abate a hazard — in this case, tear down a smoldering building — if “the condition of a property constitutes an imminent hazard.”

According to the release, representatives of the group that had lost ownership control of the property the day before, the Moulin Rouge Development Corp., were on the scene and had a contractor ready to conduct the demolition.

Despite the fact that the group no longer owned the property, the city gave the company the OK to tear it down. The city said arson investigators had finished their work at the site before the demolition.

The Moulin Rouge Development Corp., which purchased the property in 2004, filed for bankruptcy in February with $40million in debt, despite receiving a $24million loan from Seattle-based lender Olympic Coast Investment Inc. for a new hotel on the site.

The week before the fire the property was put up for auction but there were no bidders, sources familiar with the process said. On May 5, Olympic Coast took ownership of the 15-acre site, which also includes two former apartment complexes and 60 condominium units.

Olympic Coast’s president, John Hoss, visited his new property while the fire was still being doused.

“The timing is a little odd,” Hoss told a Las Vegas Sun reporter at the time. “It’s a weird coincidence. It’s certainly odd.”

In a more recent telephone interview, Hoss said he had no idea how the fire started.

He said his group is attempting to sell the property — which still has gaming development rights attached — for more than $25million, and that parties have expressed interest. A sale could be announced soon, he said.

Hoss said there was an insurance policy in place when Olympic Coast took ownership. He declined to say how much the property was insured for, other than that it was in the single-digit millions of dollars. But he said he’s asking insurers for only $100,000 to cover the cost of the fire’s clean-up.

Both Hoss and the city’s neighborhood response division manager, Devin Smith, confirmed that all four properties are or were laden with asbestos, and that the city has been demanding it be cleaned up at a cost of $1.2million. That cost is now hundreds of thousands of dollars less because it is cheaper to clean up asbestos from a fire site than to remove asbestos from an existing structure, Smith said.

Palumbo, the fire investigator, and Patrick Andler, a Phoenix-based certified fire instructor who has investigated more than 4,000 fires, say the city may have erred by allowing the building to be demolished so soon after most of the fire had been doused.

Investigators would have had a better shot at determining the precise origin of the fire — and what may have caused it and who may have started it — if the structure had been left intact, they said.

“Fire investigation is a process of elimination,” Andler said. Investigators need to be able to look at every single room to determine which one was the source of the fire. And then they need to have access to that room to search for debris.

Neither the three principals of the Moulin Rouge Development Corp., Chauncey Moore, Dale Scott and Los Angeles attorney Rod Bickerstaff, nor the group’s former public relations consultant, Jayson Bernstein, could not be reached for comment.

David Peter, the president of Republic Urban Properties, a Virginia group that had announced it would invest up to $1billion to develop the site — said he has washed his hands of his investment and given up on seeing a return on the money that his group had poured into the project. “We’ve written it off,” he said.